Kazuo Ishiguro

  • o Motivation It is our dream to understand the principles of animals' remarkable ability for adaptive motion and to transfer such abilities to a robot. Up to now, mechanisms for generation and control of stereotyped motions and adaptive motions in well-known simple environments have been formulated to some extentandsuccessfullyappliedtorobots.However,principlesofadaptationto variousenvironmentshavenotyetbeenclari?ed,andautonomousadaptation remains unsolved as a seriously di?cult problem in robotics. Apparently, the ability of animals and robots to adapt in a real world cannot be explained or realized by one single function in a control system and mechanism. That is, adaptation in motion is induced at every level from thecentralnervoussystemtothemusculoskeletalsystem.Thus,weorganized the International Symposium on Adaptive Motion in Animals and Machines(AMAM)forscientistsandengineersconcernedwithadaptation onvariouslevelstobebroughttogethertodiscussprinciplesateachleveland to investigate principles governing total systems. o History AMAM started in Montreal (Canada) in August 2000. It was organized by H. Kimura (Japan), H. Witte (Germany), G. Taga (Japan), and K. Osuka (Japan), who had agreed that having a small symposium on motion control, with people from several ?elds coming together to discuss speci?c issues, was worthwhile. Those four organizing committee members determined the scope of AMAM as follows.

  • Since the late 1990s unreliable narration has garnered popularity in narrative theory and has sparked a lively debate among scholars. This book traces the theoretical discussions surrounding narrative unreliability and examines the relationship of unreliable narration to antimimetic techniques of portraying self-deception. Standing on the border between classical and postclassical narratology, the study analyses Kazuo Ishiguro's and Max Frisch's innovative narrative strategies, offering new perspectives on their oeuvre and on unreliable narration as a narratological concept. A comparison of the methods Ishiguro and Frisch employ to explore the psychology of their narrators reveals a fascinating parallel in their development as novelists.